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Fun With Numbers – Analyzing 2024 Top 100 Lists

December 22, 2024 Leave a comment

Do you like numbers?

Do you like to play with numbers?

I do – so let’s have a bit of a [almost traditional] fun with wine numbers. I’m talking about analyzing the Top 100 lists from the major wine publications.

Top 100 is one of the most anticipated and coveted topics in the wine world. There is a lot of anxiety and activities surrounding the Top 100 lists. Wineries proudly put their Top 100 “membership” on the bottles; publications, such as Wine Spectator, create a lot of drama, slowly unveiling their Top 100 selections over a week; wine stores are anxious to get and offer as many of the Top 100 selections as possible; consumers get an extra reason to buy the Top 100 wines as their greatness had been established by the experts. So let us take a closer look at the Top 100 Wines of 2024 lists from the major publications and compare them side by side.

The majority of the wine publications present their Top 100 lists, many of the publications even offering a multitude of Top 100 lists – for example, James Suckling publishes separate Top 100 lists for most of the major wine countries; Wine Enthusiast offers Best Buys, Cellar Selection and Enthusiast 100 lists. As I have done in the past, for this comparison I’m using Top 100 lists from James Suckling, Wine Enthusiast, and Wine Spectator. For the Wine Enthusiast, I’m using the Enthusiast 100 list. Also note that while James Suckling and Wine Enthusiast 2024 Top 100 list links are specific to the year, Wine Spectator has one link for all top 100 lists from 1988 until 2024 (going through those is a fun exercise in itself).

Now, let’s discuss the particulars.

Wine of the Year

Let’s start with the Top wines of 2024. Out of the 3 top wines, 2 are reds and one is sparkling – not very surprising as red wines dominated the top 100 lists at all three publications. James Suckling’s Top wine of 2024 was the 2015 Bertani Amarone della Valpolicella Classico (JS100, $125). Wine Enthusiast’s Top wine of 2024 was the 2013 Roco RMS Brut Delayed Disgorgement 10-Year Sparkling Willamette Valley (WE98, $125). Lastly, the Wine Spectator Top wine of 2024 was the 2021 Viña Don Melchor Cabernet Sauvignon Puente Alto Puente Alto Vineyard Chile (WS96, $175).

Regions

Here is how the three Top 100 lists stuck up when it comes to the wine regions of the world:

Region JS WS WE
Argentina 6 3 4
Australia 5 3 3
Austria 4 1 3
California 12 26 37
Canada 3
Chile 6 4 2
China 1
France 18 16 14
Georgia 1
Germany 12 1 1
Greece
Hungary 1 1
Israel 1
Italy 26 20 13
New York
New Zealand 4
Oregon 5 5
Portugal 4 5
South Africa 1 1 2
Spain 6 6 3
Uruguay
Washington 3 4 3

I purposefully left all regions that were included in the previous years so you get a better picture. As you can see James Suckling’s list was dominated by Italian wines. Wine Spectator had a penchant for California, but not as much as the Wine Enthusiast, where almost 40% of the Top 100 wines came from California. New entrants compared with the previous years were the wines from Georgia and China.

Wine Types

Here is the comparison classified by the wine types:

Type JS WS WE
Dessert 3 1 2
Fortified 2 1 1
Red 60 67 68
Rosé 1 2
Sparkling 2 2 8
White 33 28 19

As you can see, red wines dominated all of the lists. The last time I did this comparison back in 2021, and compared to that table I had to add a row for the fortified wines. I’m happy to see that all 3 Top 100 lists included at least one fortified wine. Also, Wine Enthusiast included a good number of sparkling wines, with most of them coming from Oregon out of all places (and those will be even harder to find than Champagne due to a very limited production).

Ratings

Ratings continue to be radically different between all three lists. James Suckling ratings don’t go lower than 97, and Wine Spectator’s top rating was 98 with only a single showing.

Rating JS WS WE
100 20
99 58 1
98 17 1 3
97 5 8 13
96 6 19
95 12 16
94 19 16
93 17 22
92 11 8
91 10 2
90 16

I don’t know why there is such a disparity in ratings, but that makes this comparison even more interesting.

Prices

Prices are always an interesting subject, and the presentation of the prices was different this year among all 3 lists. Wine Spectator had prices for all wines included in the description – I can only assume those are suggested retail prices. James Suckling had no prices listed but instead had prepared links for the Wine Searcher to retrieve a current market price for each wine – which makes sense as many of these wines might be on the market for a while and might command premium even before they were included in the Top 100 lists. Wine Enthusiast had prices listed for most of the wines, and also had buying links for all of the wines that were tailored to a specific source – some to Wine.com, some to Wine Searcher.

In the Wine Spectator’s Top 100, the most expensive wine was priced at $375 (MSRP). 19 wines on the list were priced at $100 or higher. The least expensive wine was only priced at $12 (#49 on the list). There were 6 wines on the list priced under $20, a very reasonable number. The top 10 wines, if you could find and buy them all at once, would cost you $1,032.

The most expensive wine on James Suckling’s list was priced at $407 (market price). Only 37 wines were priced at less than $100, which makes 63 wines to be priced above $100 – again, keep in mind that these are market prices according to wine-searcher, so YMMV. The least expensive wine and the only one under $20 was priced at $17, however, interestingly enough, it was wine #2 on the Top 100 list. The top 10 wines combined would cost you $677.

Lastly, the Wine Enthusiast’s Top 100. The most expensive wine was also the most expensive among all 3 lists, priced at $612. 33 wines were priced above $100, so 67 wines were priced at less than $100. The least expensive wine and the only one under $20 was priced at $19 (wine #35, price from wine-searcher). The top 10 wines would cost you $1,100.

Conclusion

I was happy to see lots of familiar  – not just familiar, but rather, favorite – producer names sprinkled across the lists. Turley Zinfandel as #14 on Wine Spectator’s list, Carlisle Zinfandel as #21, San Felice Chianti, Calera, Elena Walch; Lopez de Heredia and Cayuse Bionic Frog on the James Suckling list; Inniskillin Cab Franc Ice Wine and Wente Vineyards on the Wine Enthusiast list. I’m sure you will find lots of familiar names too.

I hope you are having as much fun looking through the data I presented here as I had compiling it. There is nothing to be concluded from this exercise, but I find it fun. If you think there is any other data you would like to see as part of this analysis – I will be happy to oblige.

Enjoy!

Fun With Numbers – Analyzing 2021 Top 100 Lists

December 1, 2021 4 comments

Whoosh…

It is the last month of the year already – do you believe it? There are very few facts left in this life – time moving in one direction is still one of them.

The arrival of December means that it is the time to look back at the year which is about to bid adieu, and reflect. For example, on all the wines, good and bad ones. And maybe rate them, right?

I know that many of the true wine aficionados scoff at the bare idea of the wine ratings, especially those coming from major wine publications – I’m not talking about wine collectors who live and die by those. Top wine lists are usually equally ignored by those passionate wine lovers. I, however, appreciate all of the scores and top lists as a reference – and also the numbers I can play with.

At this point, all major wine publications produced their Top 100 wine lists – some even multiple Top 100 lists, such as James Suckling with Top 100 wines of Chile, France, Spain, New Zealand, and all other major winemaking regions… That means a lot of numbers to digest and dissect – not something I can pass. I set out to waste spend a good amount of time to convert Top 100 lists from James Suckling, Wine Enthusiast, and Wine Spectator from all the different formats into a set of excel files which then can be compared – and now I can report on my findings.

As I already mentioned, there are multitudes of Top 100 lists available from these wine publications – for this analysis, I used the Top 100 lists from Suckling and Wine Spectator, and Top 100 Cellar Selections from Wine Enthusiast – this one is the best match for the two other lists, unlike The Enthusiast 100 or 100 best buys. All the lists are produced based on the rating of more than 20,000 wines by each publication during 2021 (25,000 by James Suckling and 22,000 by Wine Enthusiast). Some publications also considered wine production volume and availability as an important decision factor.

Wine of the Year

Let’s start with the Top wine of 2021. It is interesting that out of these 3 top wines, 2 were whites – not something you see very often, but at least both whites were Chardonnays. James Suckling’s Top wine of 2021 was the 2020 Kumeu River Chardonnay Kumeu Mate’s Vineyard New Zealand (JS100, $73). Wine Enthusiast Top wine of 2021 was the 2018 Ramey Hyde Vineyard Charodnnay Carneros (WE100, $70). Lastly, the Wine Spectator Top wine of 2021 was the 2018 Dominus Estate Napa Valley (WS97, $269). Whether you like it or not, but Chardonnay and Cabernet Sauvignon clearly ruled the world in 2021…

Regions

In all three top lists, there was somewhat lesser diversity than in the lists from last year – 4 countries/regions present in the 2020 lists were absent in 2021. Here is the summary for you in the form of the table:

Region JS WS WE
Argentina 5 4 1
Australia 7 4 2
Austria 2 1 3
California 18 24 20
Canada
Chile 5 2 2
France 22 17 25
Germany 12 2 4
Greece
Hungary 1 1
Israel
Italy 15 23 17
New York 1 1
New Zealand 3 3 2
Oregon 2 4 5
Portugal 1 3 6
South Africa 1 1 2
Spain 5 7 4
Uruguay
Washington 1 4 5

I purposefully didn’t remove the countries from last year’s lists so it is easy to see which are missing. Overall, there were not too many surprises. The US, France, and Italy dominated all 3 lists. It is interesting to note a good number of wines from Portugal in the Wine Enthusiast list, as well as good showing by Oregon and Washington in Wine Enthusiast and Wine Spectator lists. The biggest surprise for me might be a relative weakness of Chile’s presence across lists and literally negligible showing by South African wines.

Wine Types

I don’t believe I paid much attention to the types of wines on the Top 100 lists last year – I built a comparison table though this year:

Type JS WS WE
Dessert 2 1 5
Red 72 65 72
Rosé 2
Sparkling 3 5 6
White 23 27 17

I classified all wines as dessert, red, Rosé, sparkling, and white. Port and sweet Riesling wines (BA etc.) were classified as dessert. As you can see, red wines rule the world. While the Wine Enthusiast list includes no Rosé, at least it has a good showing of dessert and sparkling wines, which makes perfect sense. I honestly believe we should see more of the Rosé wines in the Top 100 lists, but oh well… Also wondering when we are going to see skin-fermented wines on the Top 100 lists – unless I missed something this year.

Ratings

Ratings this year are radically contrasting between different lists. James Suckling’s list doesn’t have any wines with ratings less than 98. And Wine Spectator’s list has no wines with 100 ratings, only one wine with 99 rating, but 12 wines with the rating of 90:

Rating JS WS WE
100 25 9
99 45 1 7
98 30 3 10
97 6 12
96 2 17
95 18 12
94 14 17
93 14 10
92 10 5
91 20 1
90 12

Both James Suckling and Wine Enthusiast lists have a substantial showing of 100-rated wines – either the wines are getting better and better, or the critics are getting more and more lenient – still, 25 wines with 100 rating is very impressive.

Prices

This might be one of the most interesting and most irrelevant parts of the top 100 wine lists information – and analysis. It is interesting because of course, wine aficionados what to know “how much”. It is irrelevant because the majority of these wines can’t be acquired due to limited availability and high demand – everyone wants to drink “best wines”. Nevertheless, let’s talk about prices.

The wines on James Suckling’s list are ranging from $1,723 per bottle (most expensive) to $24 for the least expensive. Only 45 wines are priced at less than $100. You will need to spend whopping $23,595 to acquire all 100 top wines and $2,108 on the Top 10 wines. It is important to note that prices are not included on the James Suckling Top 100 list – each wine has a link to the wine-searcher page which lists the price according to the wine-searcher’s algorithm.

Wine Enthusiast Top 100 list wines are priced from $780 to $20. 65 wines cost less than $100, and 28 wines are less than $50. You will need to spend $11,061 to acquire all Top 100 wines and $1,047 on the Top 10. Wine prices are included on the Wine Enthusiast list, but I’m not sure how they were sourced, as some of the wines are priced at $222 or $343, which can’t be MSRP pricing.

Wine Spectator’s list happens to be the least expensive overall, with only $6,194 needed to acquire all top 100 wines. Top 10 will set you back by $1,444. The wines are ranging in price from $309 to $13. 85 wines are priced at less than $100, and 68 wines are less than $50.

Conclusion

I hope you are having as much fun looking through all the data as I had compiling it. There is nothing to be concluded from this exercise, but I find it fun. If you think there is any other data you would like to see as part of this analysis – I will be happy to oblige.

Enjoy!

The Curse and Mystery Of The Top 100 Wine Lists

December 5, 2019 4 comments

Lists and numbers – who doesn’t like that? We, humans, are all about lists, we like to sort things out – to-do lists, shopping lists, “best” lists, “best of the best ” lists, Top 10 lists, Top 100 lists. No area of people’s interest is immune to the lists – and of course, the world of wine is no exception – come to the end of the year, and you are guaranteed to see lists and lists of the lists, ranking wines, wineries, regions, winemakers, what have you.

I don’t know how much attention you are paying to the top wine lists. Talking about myself, I like to ponder at the Top 100 lists, especially the one produced by Wine Spectator – not because it is any better or different than the others, but simply because I had been a subscriber for a long time, and it formed more into a habit. My main interest is to see what wines can I recognize, and then to play with the data a bit – countries, prices, grapes. I’m a number junkie. It is always fun to organize numbers in a few different ways, no matter if it means anything or not, and so the Top 100 lists present a good opportunity to conduct such a “research”.

Before we delve into the numbers, let’s talk about the Mystery. What is mysterious about the top 100 wine lists? I would say most everything? How the wines are chosen? How wine #1  is decided? According to the information on the James Suckling web site, they select the top 100 wines out of the 25,000 wines tasted throughout the year. How do decide on 100 out of 25,000? Do you run a separate list of potential candidates throughout the year, or do you sit down at the end of the year and try honestly recall the most memorable wines of the year? What role the ratings play?

Here is what Wine Spectator says on the subject: “Each year, Wine Spectator editors survey the wines reviewed over the previous 12 months and select our Top 100, based on quality, value, availability and excitement”. I like the “excitement” part, this is how I decide on my top dozen wine of the year. The other two publications I studied with Top 100 lists don’t talk about their methodology, they just talk about the content of their lists.

So here are some stats we can gain from looking into the details of the Top 100 lists.

Wine Spectator:

Wine Spectator offers two lists – the regular Top 100 Wine and Top 100 Value Wines, which includes wines priced under $25 (you can find all the lists here). I didn’t spend time with the top value list, so all the numbers below are related to the Top 100 list:

  • Distribution by country: France – 23, California – 22, Italy – 21, Spain – 7, Australia and Oregon – 5 each, Chile and Portugal – 3 each, Austria, Germany, New Zealand, and Washington – 2each, Argentina, Israel, and South Africa – 1 each
  • Distribution by the wine type – 74 reds, 21 whites, 1 Rosé, and 4 Sparkling.
  • Prices – most expensive – $197, least expensive – $13. 14 wines are priced above $100, 13 wines are in the $75 – $99 range, 11 wines are in the $50 to $74 range, 27 wines are priced in the $25 – $49 range, and 35 wines are in the $13 – $25 range.
  • Ratings: the top score is 98, the lowest is 90. There is only one wine on the list with a rating of 98, 6 wines have a rating of 97. The ratings of 96, 95 and 94 are assigned to 14 wines each. 11 wines have a rating of 93, 10 wines each have ratings of 92 and 91, and 20 wines have a rating of 90.
  • Wine Spectator’s top wine of the year 2019 was 2016 Château Léoville Barton St.-Julien with a rating of 97 and priced at $98.

Wine Enthusiast:

Wine Enthusiast produces not one, but 3 Top Wine lists – Top 100 Wines, Top 100 Best Buys, and Top 100 Cellar Selections – these links will allow you to retrieve PDFs for each list. General notes on Wine Enthusiast site say that more than 24,000 wines are tasted during the year and afterwards condensed into the 3 Top Wine lists. Note that Wine Enthusiast Best Buys list covers only wines under $15. Focusing on the Top 100, I did a limited analysis, using the data already provided in the PDF file:

  • Distribution by country: California – 18, Italy – 17, France – 16, Australia, Oregon and Spain – 5 each, Argentina, Chile, Portugal and Washington – 4 each, Austria and Germany – 3 each, NY State and South Africa – 2 each, Georgia, Greece, Israel, Uruguay and Virginia – 1 each
  • Prices – most expensive – $114, least expensive – $16. Only one wine is priced above $100, the majority of the wines are less than $50 with an average price of $33.
  • Ratings: the top score is 99, the lowest is 90. There is only one wine on the list with a rating of 99, 3 wines are rated at 98, 5 wines have a rating of 97, 8 wines are rated at 96. Most of the rated wines fall in the 91-93 range (55 wines)
  • Wine Enthusiast top wine of the year 2019 was NV Nino Franco Rustico Brut Valdobbiadene Prosecco Superiore with a rating of 94 and priced at $20.

James Suckling:

This one is the most exclusive Top 100 club in a number of ways. First, you need to be a subscriber to see any wine details. Second, all the wines on the Top 100 list are rated 98-100 points. This is the only stats available from the James Suckling Top 100 Wines website: “We have 41 100-point wines in the list and another 35 with 99 points. The rest of the wines scored 98 points. All the wines were produced in quantities of 300 cases or more.”

Let’s leave James Suckling Top 100 list aside and talk about Wine Spectator and Wine Enthusiast lists. The makeup of both lists is quite similar when it comes to the countries – California, France, and Italy represent at least half of the Top 100 wines (2/3 in case of Wine Spectator list). Where the list differ quite a bit is in the pricing – 14 $100+ wines on the Wine Spectator list versus only 1 on the Wine Enthusiast. But the biggest difference to me is the Wine #1 – Grand Cru Classé versus Prosecco. Okay, call me a snob or whatever you want, but I’m really missing the point of the Wine Enthusiast choice. To my defense, I can only say one thing – I tasted this wine. Nino Franco Rustico is a nice Prosecco, and but it is really, really far away from the memorable, exciting wine. Here you go – another case of the wine list mystery.

I also wanted to talk about the “curse” of the Top 100 wine list, for sure when it comes to the one from the Wine Spectator. As soon as the wine makes it on that list, it instantly becomes unavailable. Adding to the mystery side, it is a mystery to me why an average wine consumer puts such a value on the Top 100 list nomination. But talking about availability, are we looking at the scalping phenomenon in the works? Buy bulk and resell for a quick buck? This is annoying, and it is a real problem for the wine retailers who can’t find enough of those top wines to offer them to consumers. It also gets worse every year – a friend of mine, who has a wine store in Stamford, was able to assemble about 40 Top 100 wines to offer to his customers last year – this year he will barely make it to 20.

There you have it my friends – a deeper look into the mystery (and curse) of the Top 100 wine lists. Do you pay attention to those? What do you think of this year’s top wines? Do you see any trends? Cheers!

Daily Glass: Pizza and Wine

December 2, 2019 3 comments

What do you think of pizza and wine – a perfect combo, right? Let’s talk about it.

On Friday, kids requested pizza. I’m generally not craving pizza (unless it is Frank Pepe White Clam), but I don’t object to it too much. Especially when I have two wine samples which should work well with pizza – Prosecco and Barbera.

The world loves sparkling wines, with consumption growing consistently year over year – you can find some interesting stats here. For the last few years, Prosecco bypassed Champagne as the world’s best selling sparkling wine in terms of volume – a bottle of Champagne is at least 3-4 times as expensive as Prosecco, so in terms of revenues, Champagne is still ahead. But let’s not get hung up on numbers.

Prosecco is made from the grape called Glera (the grape itself used to be called Prosecco, but it was renamed to make Prosecco a protected name, similar to Champagne). Prosecco is made using the method called Charmat (patented in 1907), where the second fermentation is taking place in the pressure-sealed tank as opposed to the bottle in Méthode Traditionnelle. Fermenting in the tank allows to significantly reduce the cost of the sparkling wine, as the whole process is a lot less labor-intense.

In 1919, Antonio Franco founded the Cantine Franco winery in Valdobbiadene in Northern Italy. In 1966, his son Giovanni (Nino) renamed the winery into Nino Franco di Franco Giovanni and went on producing white and red wines. In 1971, Nino’s son Primo, who studied enology, began working at the winery, focusing on sparkling wines – this was a pivotal moment, converting Nino Franco into the Prosecco powerhouse it is today.

Prosecco’s success is not given – it is a result of belief, hard work, obsession, and dedication. This year marks the 30 years since Prosecco first appeared on London markets, and it had not been even that long since its introduction in the USA (1992/1993) – all largely thanks to the efforts of people such as Primo Franco and Gianluca Bisol. Think about the success of this simple sparkling wine in just 30 years – it is definitely something to be proud of.

Before I share my tasting notes for Nino Franco Prosecco Rustico Valdobbiadene Superiore DOCG (11% ABV, SRP $19.00, 100% Glera), I want to mention that there are two occasions to celebrate as it relates to this wine. One is more general – it is the 100th anniversary of the Nino Franco wine company, a great achievement in itself. The second one is directly related to the wine, and it is even more impressive – Nino Franco Prosecco Rustico became the wine #1 on the Wine Enthusiast Top 100 wines of the year 2019. Wine Enthusiast folks review tens of thousands of wines every year – to snatch the top position of the 100 most impressive wines of the year is not an easy fit and serious accomplishment.

How was the wine? Upon opening and pouring into the glass, the wine first filled the glass (I was using standard Riedel wine glass, not the flute) with a foam – not just a little “hat”, but almost a full glass of foam. The nose had very expressive aromatics of apple, peach, and guava. The palate was fresh and crisp, with more of the apple notes, tiny bubbles, and good acidity. All-around a good Prosecco, definitely more voluptuous and assertive than many. (Drinkability: 7+/8-).

Okay, now it is the Barbera time. Barbera is one of the well known Italian grapes primarily growing in Piedmont. Barbera d’Asti or Barbera del Monferrato would be a perfect accompaniment for a pizza, but the Barbera we are talking about today hails from … Lodi in California.

I never get tired of expressing my love and admiration of the Lodi wine region in California. Lodi is uniquely un-Napa in most everything – from the winemaker attitudes and low-key wineries to the focus on the Mediterranean grape varieties. Lodi is often considered to be a land of Zinfandel, but truth be told, Tempranillo, Syrah, Sangiovese, Cinsault, Carignan, Albarino, Grenache Blanc are really running the show there. And Barbera, let’s not forget Barbera.

Barbera wines are clearly outshined in Piedmont by the famous siblings, Barolo and Barbaresco, both produced out of Nebbiolo grape. I was unable to find the fresher set of data, but at the beginning of the 21st century, Barbera was the third most planted grape in Italy after Sangiovese and Montepulciano. Barbera grapes are naturally high in acidity, and it is acidity which often needs to be tamed when it comes to Barbera wines. Compared with the finicky Nebbiolo, Barbera does quite well in the new areas, so over the past 30 years, it spread through Australia, Argentina, California, Israel, Texas and other places where this grape was never known before.

Starting from 1860, the land where Oak Farm Vineyards is located was simply a farm in the Lodi region of California where the cattle were raised. In 2012, Dan Panella, third-generation California farmer, replanted 60 acres of the old vineyard on the property, and this was the beginning of the modern history of the Oak Farm Vineyards. There is a wide range of wines produced at the winery starting from California staples Chardonnay, Sauvignon Blanc, Cabernet Sauvignon, and Zinfandel to the hardcore Italian range of Fiano, Barbera, Primitivo, and Sangiovese.

It is 2017 Oak Farm Vineyards Barbera Lodi California (15% ABV, $25, mostly Barbera with a small percentage of Petite Sirah for color and structure, 20 months in French, American, and Caucus (24% new) oak barrels) that we are talking about today. In a word, the wine was superb – dark garnet color, intense nose of cherries and tobacco, and mind-boggling concentration and interplay of flavor in every sip – cherries, tar, tobacco, roasted meat, perfect balancing acidity and 100% delicious wine. (Drinkability: 8). I would greatly drink this wine again at any time – with or without the food.

Oh, I guess I promised you some pizza. Yes, there was cheese and bacon/mushroom/onion pizzas. I have to say that prosecco was rather ambivalent to either, but Barbera worked quite well with the combination pizza.

There you have it, my friends. Italy meets California and vice versa, in many ways. But the important part is two delicious wines which you should find and experience for yourself. Cheers!