An Evening of Pure Pleasure
Do you know what makes an oenophile’s heart melt and pound, what fills it with joy? Hearing their friends say after you pour the wine into their glasses
“Oh my god, this is so good!”
This brings a double pleasure – it is not only you now getting the pleasure from the aroma and the bouquet – but your friends also enjoying it as much as you do. Wine is meant for sharing, and this makes sharing so much more enjoyable…
Wine can never be taken for granted. Let’s remember that the wine continues changing even after bottling – each time we open the bottle, we find the content of the bottle in its unique state. Yes, we can hope that if you open all 12 bottles from the case at the same time, all wines will taste the same – but it is still a game of probabilities, with opportunities for the “bottle variation” to be increasingly more noticeable as the wine ages. And I’m not even talking about potential wine faults…
Next, there are expectations. Expectations are a big deal for the oenophile. Just one look at the bottle and an oenophile forms expectations – bottle appearance, place, producer, type of wine, vintage – everything is taken into account, and we know what to expect. It is the most joyous moment when the liquid in the glass meets expectations – and the most daunting when it does not (let’s not get to the corner case of Two Bucks Chuck, please). But there is more to the expectations in wine. One of the biggest challenges with wine expectations lies in the fact that it doesn’t matter how much you like the wine and how well your great expectations are met – everyone’s palate is different. It is hard learning to be okay with the fact that while you enjoy the wine immensely, your friend doesn’t care for it. It doesn’t make the wine bad. It doesn’t mean that you are wrong or did anything wrong. It simply means that taste is personal, you just need to learn to accept this simple fact of life – and not get upset.
You might wonder why I am talking about all this wine geek mumbo jumbo, why is that important? Simple. No matter how familiar you are with the wine you are pouring, or how many times you have had the wine from the same vintage and producer, when the wine reaches the glass, it is always the moment of revelation. Double that (triple? quadruple?) when you are poring wine for your friends. And even if you think that wine is perfectly perfect, you can never assume your friends will think the same. Wine can never be taken for granted.
I guess I got lucky. At last weekend’s evening with our dear friends, I managed to hit a double “trifecta” :). Three delicious wines out of three, and my friends loved all three to the “oh my god, this is so good!” moment.
First wine – NV Champagne Camille Jacquet Brut Grand Cru Chardonnay A Le Mesnil-sur-Oger (12% ABV). I do not know the producer, but I had high expectations for this wine possibly for a silly reason. A small village Le Mesnil-sur-Oger is well known for the quality of its Chardonnay vineyards and a home to some of the best (if not the best ) Blanc de Blancs Champagnes in the world – Salon le Mesnil and Krug Clos du Mesnil. Knowing that Camille Jacquet Champagne comes from basically the same vineyard gave me high hopes (silly, as I said) for this Champagne. And my high expectations were perfectly met. Beautiful nose of toasted bread with a touch of apple, impeccably crisp, fresh and precise on the palate. The acidity was fully in check with the complexity of the toasted, baked goods on the palate, leading to an impeccable (yes, I know I already used that word) balance. “Oh my god, this is so good!” said my friends, and the wine disappeared in a jiffy.
Next, two beautiful wines from one of my favorite producers ever. Over the years, I wrote about Smith-Madrone wines extensively. Cooks’s Flat had been one of the Talk-a-Vino Top 10 Wines of the Year 2019 top wines (that year, I had 3 #1 wines, tell me about my inability to make decisions), and Smith-Madrone Cabernet Sauvignon was #3 on the Talk-a-Vino Top 23 of 2023. So I was very happy that I got the samples of Riesling and Cook’s Flat and was able to share both wines with my friends (I will also taste a nice vertical of Smith-Madrone Riesling, it will take a central stage on these pages soon).
Smith-Madrone Riesling is one of my favorite Rieslings in the world – it is one of the 3 if you are interested – Grosset Polish Hill Claire Valley Australia, Smith-Madrone from Napa Valley, and Brooks Ara from Oregon. This 2019 Smith-Madrone Riesling Spring Mountain District Napa Valley (13.3# ABV) was spectacular. First, it offered a tremendous pop of petrol on the nose – and nothing makes my Riesling lover’s heart happier than these petrol aromatics, coupled with a whiff of honeysuckle. On the palate, it was fresh, energetic, with a wide range of citrus flavors readily present, from Meyer lemon to oranges and mandarines, supported by clean acidity and a perfectly cleansing acidic finish. Delicious, and the second “oh my god, this is so good!” wine.
Finally, the 2018 Smith-Madrone Cook’s Flat Reserve Spring Mountain District Napa Valley (14.2% ABV, 87% Cabernet Sauvignon, 13% Cabernet Franc, 20 months in new French Oak). This wine is designated as “Reserve” and this is not random – it represents the best of the best Smith-Madrone makes, using the best plots, best grapes, and produced only in the best years. This wine also has a historical connection to the parcel of land where Smith-Madrone vineyards where replanted in 1972 – the tissue wrapping the Cook’s Flat bottle is a copy of a land grant document, signed by the President of the United States. Here is the description from the Smith-Madrone website:
“Cook’s Flat Reserve is a proprietary name for a wine that is the culmination of our 50 years of growing grapes and making wine in the mountains of the Spring Mountain District. The name refers to George Cook, the first owner of the property. ‘Cook’s Flat’ was the local oldtimers’ name for the eight-acre plateau-like vineyard block which was replanted in 1972.
The packaging expresses the property’s history and an uncompromising attention to detail. Each bottle is numbered and only around one thousand bottles are produced in each vintage. Each bottle is wrapped in tissue which has been printed with a multi-colored copy of the U.S. Land Office Patent which granted ownership to George Cook and was signed by President Chester Arthur on December 5, 1885. We proudly display the original at the winery.”
What I love about Smith-Madrone wines is textbook precision. So far literally everything I tasted from the winery had this textbook precision of flavor – Riesling is unmistakably Riesling, Chardonnay is unmistakably Chardonnay, Cabernet Sauvignon is unmistakably Cabernet Sauvignon.
This 2018 Cook’s Flat, a blend of Cabernet Sauvignon and Cabernet Franc, was also unmistakably a Cabernet. A core of black currant, a.k.a. cassis, and eucalyptus, supported by sweet tobacco and sweet oak, with a whiff of the bell pepper (love it). On the palate, the textbook flavors continued with succulent cassis, eucalyptus, a touch of mint and bell peppers, firm structure, perfectly integrated and perfectly present tannins, impeccable balance. Just a pure joy. “Oh my god, this is so good!” wine again disappeared in no time, with the last drops almost squeezed out of the bottle.
Here you are, my friends. An evening of pure pleasure – and a happy oenophile who managed to make his friends “oh my god, this is so good!” happy.
I have more happy stories to tell – stay tuned…







Wonderful wines, Smith-Madrone never disappoints! I’ve got a couple on deck too, including the Cook’s Flat – opening that for Gabe’s bday tomorrow. Cheers!